Auditions

Your Next Role Starts Here

Auditions at Theatre Cedar Rapids are held throughout the year for productions in the TCR Auditorium, Grandon Studio Theatre, and select special events. Whether you're stepping into the spotlight for the first time or returning for your next show, we're glad you're here.

New to Auditioning at TCR?

Whether this is your first audition or fiftieth, we want you to know what to expect. TCR welcomes performers with a wide range of backgrounds and experience levels, and previous TCR experiences is never required unless specifically noted in a casting announcement.

Every production is different, so we publish an individual audition announcement with the information you'll need to decide whether an opportunity is right for you and prepare for your audition.

Registration is required for all TCR auditions. When auditions are open, follow the registration link in the production's announcement to get started. Current audition opportunities are posted here. If there isn't one posted now, check back soon for more information.

Current Audition Opportunities

Audition notices are listed below as they become available. Each post includes what to prepare, important dates, and role information. No auditions listed right now? New opportunities are posted throughout the year—please check back soon and follow Theatre Cedar Rapids on Facebook for announcements.

How Auditions Work

Auditions vary depending on the needs of the production. You may be asked to sing, read or perform material from the script, prepare a monologue, participate in a movement or dance call, or some combination of these. Each show's casting notice will tell you exactly what to prepare. We don't expect you to arrive already knowing how TCR works.

In the Audition Room

An audition is an opportunity for the creative team to get to know you—not simply a test of whether you can deliver a "perfect" performance. The creative team may occasionally offer an adjustment or ask you to try something another way. This isn't a judgment on your first attempt; it gives the team an opportunity to see another choice and how you respond to direction.

For musicals, some productions include a dance or movement call. The casting notice will explain what to expect, what to wear, whether previous dance experience is necessary, and who should participate. 

No intimacy, staged violence, or sensitive physical contact will be required during initial auditions unless clearly communicated in advance.

Video Auditions

Some productions offer video auditions as an alternative to an in-person audition, and occasionally a particular role or group of performers may be asked to audition by video first. When video auditions are available, the production's casting notice will provide preparation instructions and a submission deadline. Video auditions receive the same consideration as in-person auditions.

Callbacks

Callbacks are held by invitation when the creative team needs to see additional material, explore different choices, or see combinations of performers together. Not receiving a callback does not necessarily mean you are no longer being considered for a production. In some cases, the creative team may already have seen everything it needs during your initial audition.

Communication & Casting

Every performer who attends auditions will hear from TCR twice: once to let you know whether you're needed at callbacks (if they're being held), and again after final casting decisions have been made. 

Official audition and casting communication comes from the TCR Production Team. If you have a question about your audition or casting status, please contact auditions@theatrecr.org rather than reaching out to individual members of the creative team.

Our Approach to Casting

TCR is committed to fostering an inclusive and welcoming environment and encourages performers of all races, ethnicities, gender identities and expressions, body types, abilitiies, backgrounds, and experience levels to audition. 

When a character's identity is essential to the story or explicitly established in the script, TCR and the creative team are committed to casting that role as authentically as possible. For roles where identity is not central to the storytelling, casting decisions are based on each performer's ability to bring the character and the production's artistic vision to life. 

Unless otherwise noted in an individual casting notice, all roles are open.

Characters as Written

Casting notices may include "Character as Written" information to describe how a character is presented in the licensed material. This information is not intended to limit who may audition. Performers of any gender identity are welcome to audition for roles they feel comfortable portraying, provided the character can be presented as required by the licensed material.

Rehearsals & Performance Commitments

TCR productions are created by volunteer performers balancing theatre with work, school, family, and other commitments. We build rehearsal schedules around the needs of each production and the availability and conflicts disclosed by the cast.

Rehearsals generally take place during evenings and weekends, but not every performer is called to every rehearsal. Most cast members can expect two or more days without rehearsal during a typical week, though some portions of the process may require more concentrated calls.

Performers should disclose all known conflicts during registration so the production team can build the rehearsal schedule accordingly. If an unavoidable absence arises during the process, we'll work with performers on an appropriate plan to catch up.

Technical rehearsals generally take place the weekend before opening, with dress rehearsals beginning Monday of opening week. Performers should plan to be available for all technical rehearsals, dress rehearsals, and performances unless otherwise noted in the production's casting notice. Performance conflicts generally cannot be accommodated.

Always review the dates and commitment requirements in the individual production's casting notice before auditioning.

Production Schedules at a Glance

These are general guidelines. The schedule for an individual production may vary.

TCR Auditorium Productions

Rehearsal Process: Typically 8–10 weeks
Performances: 18–20 performances across 4–6 weeks

Grandon Studio Theatre Productions

Rehearsal Process: Typically 4–6 weeks
Performances: 15–18 performances across 4–5 weeks
The individual production's casting notice is always the best source for its rehearsal, tech, dress, and performance schedule.

Honoraria

To recognize the time and commitment required to produce theatre at a high level, Theatre Cedar Rapids offers honoraria for cast and crew members age 16 and older.

Cast: $25 per performance
Crew: $20 per performance

Details and eligibility are confirmed within each casting notice.

Content, Intimacy & Staged Violence

We want performers to have the information they need to make informed choices about the productions and roles for which they audition.

When a production includes significant mature content, intimacy, staged violence, weapons, or other sensitive physical material, the casting notice will identify relevant content and participation considerations. When particular roles involve material beyond what someone might reasonably anticipate from the general production information, we’ll identify that whenever possible as part of the casting process.

TCR uses qualified intimacy and/or fight professionals when appropriate. Intimacy, staged violence, and other sensitive physical contact are choreographed and rehearsed with clear boundaries.

Performers will not be asked to improvise intimate contact or staged violence.

If you are offered a role involving significant participation considerations, you’ll have an opportunity to understand those expectations before accepting.

Accessibility & Accomodations

TCR wants every performer to have an equitable opportunity to audition and participate.

If you need an accessibility accommodation or adjustment to participate in an audition, please let us know. We’re happy to work with you to identify an appropriate accommodation.

You do not need to wait until the day of your audition to ask for support. Contact auditions@theatrecr.org, or provide the requested information during registration when that option is available.

Questions About Auditions?

Reach out for more information about specific auditions or the audition process. We're happy to share any details we can.
CONTACT US

Frequently Asked Questions

Absolutely. We love meeting new performers. Previous TCR experience is not required, and many productions welcome performers with a wide range of experience levels. Any role requiring particular skills or experience will be identified in the production’s casting notice.
Yes. Performers from outside the Cedar Rapids area are welcome to audition.

Note: Our venues are non-equity and we are a volunteer-based community theatre. TCR is unable to provide housing or travel assistance. Performers are responsible for transportation to and from auditions, rehearsals, and performances.
Tell us about them when you register.

We expect our volunteer performers to have lives outside the theatre and build rehearsal schedules with disclosed conflicts in mind. Having rehearsal conflicts does not automatically prevent you from being cast.

Some dates—particularly technical rehearsals, dress rehearsals, and performances—have stricter attendance requirements. Check the individual casting notice carefully before registering.
Disclose the conflict during registration. Depending on the production and availability of the creative team, alternate arrangements may sometimes be possible. A callback conflict should not prevent you from auditioning unless the casting notice specifically states otherwise.
Volunteer performers are not required to attend strike unless otherwise communicated by the TCR Production Team.
No. Performers are responsible for their own housing and transportation throughout the rehearsal and performance process.
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Crafted in Partnership by IFC Studios & Pennant Design Co.

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