Theatre Cedar Rapids (TCR) invites directors to submit applications for our 2026–2027 Grandon Studio season. Located in our intimate black box performance space, the Grandon Studio season is dedicated to bold storytelling, inventive theatricality, actor-centered collaboration, and emotionally engaging audience experiences.

For the 2026–2027 season, TCR seeks directors with imaginative storytelling approaches, collaborative leadership skills, and passion for creating compelling work in an intimate environment. We are most interested in directors who have a demonstrated commitment to the craft of directing and who will create a positive and educational experience for our volunteer performers. Director stipend amounts will be be included in offers.

The Grandon Studio Directing Opportunities (with performance dates):

• The Exorcist by John Pielmeier — October 9 to 31, 2026
• A Christmas Carol adapted by Jacqueline Goldfinger from the novella by Charles Dickens — November 27 to December 20, 2026
• Glengarry Glen Ross by David Mamet — March 5 to 28, 2027
• Sense & Sensibility by Kate Hamill, based on the novel by Jane Austen — June 25 to July 18, 2027

Note: Top Dog/Under Dog has a director in place and is not an open opportunity. We are not seeking submissions for our auditorium productions.

Director Submission and Selection Timeline

• Director Submissions due: June 15th
• Director Interviews/Follow Up with Applicants: by July 1st
• Directors/Audition Dates Announced: by July 15th

The Grandon Studio provides unique opportunities for immersive storytelling, inventive staging, and close audience connection. Directors should be prepared to work creatively within the flexibility and limitations of a black box environment while fostering inclusive, respectful, and artistically adventurous rehearsal spaces.

Applications Should Demonstrate:

• An engaging conceptual approach
• Understanding of intimate-space storytelling
• Strong collaboration and communication skills
• Awareness of production feasibility and technical demands
• Commitment to inclusive and actor-centered processes
• Alignment with TCR’s mission and values

Production Information

Applicants should consider these parameters when communicating artistic perspectives and production vision:

• TCR tends to use a 4-6 week rehearsal period for plays. Rehearsals happen 4-5 times per week, during the weekday evenings and on some weekend days. TCR does not have a standing weekly “dark day.” The schedule and days off are built around cast and team availability. 
• The Grandon Studio series is curated by TCR’s Executive & Artistic Director and designated artistic associates from TCR’s staff, board, contractors and volunteers. The production is executed by TCR’s in-house production staff with contract production talent. Directors will work collaboratively within the artistic and logistical framework of the Grandon Studio series. 
• Each production will be provided with a staff or contracted costume designer, lighting designer, sound designer, stage management team, limited carpentry overhire, and a production manager dedicated to the Grandon Studio Series. 
• TCR’s production team will schedule production meetings and will establish the tech schedule in collaboration with the show team.
• Though each production has a scenic and costume budget, the TCR team will work with directors to design an approach that effectively and efficiently utilizes existing TCR resources and, at the same time, adheres to TCR production standards and practices.
• All Grandon Studio productions will utilize an alley-style configuration of the Grandon space (seating on both sides). This configuration aligns with sales, house management, and resource plans and is, thus, non-negotiable.
• During the 2026–2027 season, TCR will continue ongoing facility renovations. Rehearsals will primarily take place within the Grandon Studio space; however, rehearsals may temporarily move to an alternate location in the building or offsite during scenic installation periods or when construction activity prevents safe or productive use of the theatre space.
• Perusal Scripts can be found here.

Key Production Dates

All dates except Opening Night are subject to change.

Auditions

Auditions will happen in the late summer/early fall, pending director and team availability. Once the selection of directors is finalized, TCR will make the determination if auditions will be held as a single season-wide event or scheduled individually for each production. 

The Exorcist

• Estimated Production Meetings Start: Week of August 3rd
• Estimated Rehearsal Start: Week of August 24th
• Tech Weekend: October 3rd & 4th
• Opening Night: October 9th

A Christmas Carol

• Estimated Production Meetings Start: Week of September 21st
• Estimated Rehearsal Start: Week of October 12th
• Tech Weekend: November 21st & 22nd
• Opening Night: November 27th

Glengarry Glen Ross

• Estimated Production Meetings Start: Week of December 14th
• TCR Holiday Break: December 21st - January 3rd (no rehearsals)
• Estimated Rehearsal Start: Week of January 18th
• Tech Weekend: February 27th & 28th
• Opening Night: March 5th

Sense & Sensibility 

• Estimated Production Meetings Start: Week of April 19th
• Estimated Rehearsal Start: Week of May 10th
• Tech Weekend: June 19th & 20th
• Opening Night: June 25th

Questions about the opportunity or submission process may be forwarded to madi.knaack@theatrecr.org.

Congratulations to the cast for Disney's Finding Nemo! This lively TYA (Theatre For Young Audiences) production will be performed live and outdoors at Brucemore's Peggy Boyle Whitworth Amphitheater. Dive into the big blue world with this family-friendly musical adventure!

Nemo - Sam Shannon
Marlin - Greg Smith
Dory  - Eloise Prince
Pearl, Peach, Squirt, and Others - Blakelyn Kroemer
Sheldon, Chum, Bloat, and Others - Jenub Wan
Tad, Crush, Nigel, and Others - Russell Clayton
Coral, Anchor, Gurgle, and Others - Lauren Fenwick
Professor Ray, Bruce, Gill, and Others - Jonathan Neswick

Finding Nemo follows Marlin, an anxious and over-protective clownfish who lives in the Great Barrier Reef with his son Nemo. When Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic odyssey across the ocean. With the help of lovable characters such as optimistic Dory, laid-back sea turtle Crush, and the supportive Tank Gang, Marlin and Nemo both overcome challenges on their journey to find each other and themselves.

SEATING IS LIMITED. LEARN MORE AND BOOK NOW HERE!

The curtain is rising on a brand new chapter at Theatre Cedar Rapids, and as we step into our second century, we're thrilled to invite you back for another season of unforgettable live theatre.

The 2026-2027 season marks a wonderful miletstone for TCR. After a year of exciting progress in our historic Iowa Theatre Building, we'll be welcoming you back to beautifully refreshed spaces throughout the theatre. Auditorium renovation will be nearly complete, a brand-new elevator will expand accessibility, and we'll be reopening the newly remodeled Linge Lounge—the perfect place to gather before the show or during intermission.

Even better, we are returning to a full season of productions in both our performance spaces. Next year will feature ten shows in all—five in our mainstage auditorium and five in the Grandon Studio black box theatre—bringing you an exciting mix of beloved favorites, bold storytelling, and extraordinary local talent.

Take a look at our exciting 2026-2027 lineup below!

Season subscriptions are the best way to experience TCR's full season of shows at the best price. Enjoy free ticket exchanges, 25% off show tickets, priority access and presale for special events, and more!

Questions? Just call or email the TCR Box Office and we'll happily assist you.
319.366.8591
tickets@theatrecr.org

TCR is a nonprofit community theatre committed to delivering high-quality performances while providing an inclusive space for people of all ages to engage in the arts. TCR offers a wide range of professional and community-driven productions, educational programs, and events that foster creativity and enrich the cultural landscape of the region.

As a Concessions staff member, under the supervision of the Director of Theatre Operations, you will play an essential role in creating a positive and welcoming patron experience. Concessions staff are responsibile for preparing and serving beverages, handling point-of-sale transactions, maintaining a clean and organized concessions area, and ensuring compliance with all safety and alcohol service policies.

This position requires flexible work hours, including evenings and weekends. The role is fast-paced, customer-focused, and vital to both audience satisfaction and the financial success of the theatre's operations. By ensuring high-quality service and maintaining efficient operations, Concessions staff help uphold Theatre Cedar Rapids' reputations for professionalism and hospitality while supporting its mission to foster a vibrant and inclusive arts community.

Job Title: Concessions Associate
Classification: Part Time (29 hours or less per week)

General Job Duties

• All employees are responsible for a basic knowledge of the culture book, along with the mission and vision of the organization, and must conduct themselves with behavior that supports these values.
• All employees are expected to optimize their working hours and achieve their full potential by arriving on time for scheduled shifts and collaborating effectively as a team.
• All employees are expected to escalate issues as necessary.
• All employees must conduct themselves in a professional manner in accordance with TCR's Conduct Policy as found in the Culture Book.
• All employees will specifically be trained on their job duties; however, other mandatory trainings may be deemed appropriate by management for one or all members of the team.

Duties/Responsibilities

Job duties include but are not limited to the following:

• Prepare, stock, and serve candy and beverages (including alcoholic beverages) before performances and during intermission.
• Operate point-of-sale (POS) systems accurately and efficiently, handling cash and credit transactions.
• Maintain cleanliness and organization of concession areas, lounge, lobby, equipment, and supplies.
• Set up and close down concession stands in accordance with theatre procedures.
• Follow all state and local food handling, alcohol service, and safety regulations.
• Provide friendly, efficient, and professional customer service to all patrons.
• Work collaboratively with House Managers, Box Office, and other Front of House staff to ensure smooth audience flor and exceptional patron experience.
• Assist with inventory management, including tracking stock levels and notifying supervisors of supply needs.
• Occasionally assist with special events or rentals requiring concessions or bar service.

Skills & Abilities

• Strong customer service and communication skills.
• Ability to handle cash, credit transactions, and reconcile sales with accuracy.
• Ability to work independently and as part of a team in a fast-paced environment.
• Excellent interpersonal skills with a friendly and professional demeanor.
• Ability to multitask effectively under pressure, especially during intermissions.
• Strong attention to detail and commitment to cleanliness and safety.
• Ability to learn and apply food service and alcohol service regulations.
• Basic computer literacy, including use of POS systems and email.
• Dependable and punctual with a commitment to teamwork and hospitality.

Education and/or Experience

Prior experience in customer service, food service, or hospitality preferred.

Language Requirements

• Strong English communication skills required.
• Must be able to clearly listen, speak, and write.

Mathematical Requirements

Basic mathematical knowledge is required, such as subtraction, multiplication, and division skills to the general degree.

Reasoning Ability

Ability to asses changing needs, prioritize tasks, and respond appropriately in sensitive situations.

Physical Requirements / Working Environment

Work environment characteristics described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

• Stand an average of 3–4 hours per workday.
• Walk an average of 1–2 hours per workday.
• Occasionally bend/stoop (3–5 times per workday).
• Occasionally squat (3–5 times per workday).
• Occasionally reach above shoulder level (3–5 times per workday).
• Occasionally carry up to 25 pounds of weight (1–4 times per hour).
• Constant use of hands (fine dexterity) for repetitive action (i.e., POS operation, handling snacks/beverages; greater than 25 times per hour).
• Work may involve exposure to cleaning supplies, moderate noise, and warm or cool environments depending on performance traffic and setup.

TCR Summer Camps are open for registration. Camps run June 8 through August 14, and this year we’re offering more camps than ever! — All under our "Pay What You Can" system. Whether your camper wants to play, grow, or do, there’s something for everyone at TCR! Camps fill up quickly, so don’t wait!

Register now: https://www.theatrecr.org/summer-camp

PROGRAMMING NOTE: Due to ongoing building construction, TCR Summer Camps will take place off site at a location still to be determined. This location will be finalized in early Spring and drop off/pick up procedures will be communicated at that time.

Congratulations to the cast of Michael Frayn's Noises Off, directed by Matt Hagmeier Curtis, opening June 5, 2026 in the TCR Auditorium. Over 70 individuals auditioned for this iconic show, and the decision was not easy — our community is overflowing with talent! Tickets are already limited, get yours now HERE.

Dotty Otley (Mrs. Clackett), Marty Norton

Lloyd Dallas (Director) - Matthew James

Garry LeJeune (Roger Tramplemain) - Aidan Smith

Brooke Ashton (Vicki) - Catherine Blades

Poppy Norton-Taylor (Assistant Stage Manager) - Lauren Galliart

Frederick Fellowes (Philip Brent) - Aaron Pozdol

Belinda Blair (Flavia Brent) - Katie Gucik

Tim Allgood (Stage Manager) - Grant Blades

Selsdon Mowbray (Burglar) - Joshua Fryvecind

About Noises Off

There's No Business Like Show Business...

Called "the funniest farce ever written," Noises Off is a celebrated, fast-paced peek backstage at a touring theatre company's disastrous production of Nothing On, where unfortunately, almost nothing is going right. Packed with slamming doors, missed cues, and flying sardines, this Olivier Award-winning comedy offers a hilarious, chaotic look at life behind the curtain.

Masterfully constructed, Noises Off is the “most dexterously realized comedy ever about putting on a comedy” (NY Times). Playwright and novelist Michael Frayn (Democracy, Copenhagen) devised the concept for Noises Off while watching another one of his plays from backstage. “It was funnier from behind than in front and I thought that one day I must write a farce from behind.” With an ingenious structure that showcases the action both onstage and off, Noises Off premiered in London in 1982, garnering immediate acclaim. NY Times critic Frank Rich, who saw the premiere as well as the Broadway production in 1983, proclaimed the work “The funniest play written in my lifetime.” Join us for an evening of rollicking hilarity and virtuosic timing!

Content Advisory: Contains comedic violence and sexual situations.

"A spectacularly funny, peerless backstage farce... a festival of delirium." – New York Times

"Michael Frayn's ridiculous farce-within-a-farce still has the power to make an auditorium lose itself in laughter." – WhatsOnStage

Thursday, March 20, 2025, Theatre Cedar Rapids announced its 2026-2026 season offerings. This five-show all-auditorium season accompanies an exciting renovation to the almost 100-year-old Iowa Theatre Building. Learn more, including ways to support the campaign.

2025-2026 Season

The beautiful kingdom of Arendelle comes to life on the TCR stage this holiday season! Princesses Anna and Elsa grow up sheltered inside their castle, increasingly distant from each other. When Elsa is crowned Queen, the magical powers she's been concealing take control and she flees into the mountains. As a ferocious winter descends on Arendelle, Anna sets off on an epic journey to find and bring her home – with the help of ice harvester Kristoff, his loyal reindeer, Sven, and a happy-go-lucky snowman named Olaf. Frozen is a powerful tale of sisterhood, acceptance, and finding the real meaning of true love.

Hailed as the perfect musical comedy, this award-winning classic gambles with luck and love under the bright lights of Broadway. Guys and Dolls is about two big-city gamblers and the women who love them. It tells the overlapping stories of high-roller Sky Masterson, who falls in love with mission worker Sarah Brown, and lovable rapscallion Nathan Detroit, engaged for fourteen years to Miss Adelaide, a headliner at the Hot Box Club. Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, and even into the sewers of New York City, but eventually everyone ends up right where they belong.

A love story set under and above the high seas, The Little Mermaid tells the story of Ariel, a mermaid fascinated by the human world. When she witnesses a shipwreck and rescues Prince Eric, she makes a bargain with the evil sea witch, Ursula, to trade her tail (and her voice) for legs. But the bargain is not what it seems, and Ariel needs the help of her colorful friends, Flounder (a loyal fish), Scuttle (a confused seagull), and Sebastian (a music-loving crab) to restore order under the sea.

Called "the funniest farce ever written," Noises Off is a celebrated, fast-paced peek backstage at a touring theatre company's disastrous production of Nothing On, where unfortunately, almost nothing is going right. Packed with slamming doors, missed cues, and flying sardines, this Olivier Award-winning comedy offers a hilarious, chaotic look at life behind the curtain.

All his life, Evan Hansen has felt invisible. But when a tragic event shocks the community and thrusts him into the center of a rapidly evolving controversy, Evan is given the opportunity of a lifetime: the chance to be somebody else.

Season Tickets

Get tickets to all these incredible productions by purchasing a season subscription. Subscribers are TCR VIPs and get the following exclusive benefits:

• Up to 25% off tickets in our hottest seating zones.
• Free ticket exchanges. Subscribers enjoy no-fee ticket exchanges, no questions asked.
• Priority notice. More events will be added next Spring. Subscribers get first access and discounted seating options.
• Special gifts. Subscribe by May 1 and your first visit to the Linge Lounge is on us! A drink and snack voucher will be mailed to our earlierst subscribers.

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